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NEWS & EVENTS

2009 Arts Residency: Sculpture
- April 4, 2009

Lessons carved in stone
Italian sculptor Roberto Chiti keeps the art of working in alabaster alive as artist in residence for Appoquinimink School District

By: REID CHAMPAGNE/Special to The News Journal
Posted: March 26, 2009

"In clay, you add pieces as you go along," said the Appoquinimink High School sophomore, "but in stone, you can't add back. You have to work backward to avoid
mistakes."
And while Cooper and the 40 or so students taking a special ceramics and sculpture class will make some mistakes anyway, it helps they have an international master stone carver to teach them. Robert Chiti, a sculptor from the Tuscany town Volterra, arrived in February. He is the first guest artist in what organizers hope is a long-term artist in residence program in the Appoquinimink School District.
"We've been working on an international arts program within the district for the past two years," says Nancy Petrella, who teaches at Meredith Middle School in Middletown and is chairwoman of the district artist in residence program. "Our goal has been to invite an artist of international standing to provide an authentic cultural
experience among our students."
Under the sponsorship of Delaware's Italian-American Heritage Commission, Petrella joined some teachers on a trip to Italy last summer. The teacher exchange was more about looking for ways to introduce Italian culture into the classroom. The invitation to Chiti came as a result of discussions with officials in Volterra, as well as the
assistance of Alberto Giannetti, a former heritage commission representative, who remains active in affairs involving Italy and Delaware.
"Roberto Chiti was selected because he furthered our own goals for our program, but he also provided an opportunity to bring a specific type of sculpture that has roots in ancient Italian history to our students here in Delaware," said Petrella.
Chiti works in alabaster, a stone that's been used in his area for thousands of years.

"I want to teach the tradition of working with alabaster," Chiti said, as he busies himself among his first class. "There are not many people working with this type of
material anymore, and one of my purposes is to help keep alive this ancient Etruscan art form."

Alabaster, a sedimentary rock derived from chalk, is softer and easier to carve than marble. The students did not necessarily find alabaster that easy to work with, but it
fascinated them anyway.

"It's more intense than drawing," said Max Manerchia, who was at work on a representation of the Beatles' Apple Records logo. "You have to have a clearer idea of what
you're doing, and even the simplest things require an awful lot of steps."

Anthony Piane said his representation of a face emerging from a curtain came from a performance he had seen of Pink Floyd's "The Wall."

"I'm guessing it will take me about eight hours of work to complete this," Piane said. "That's the longest I've ever worked on anything." But the effort is well worth it, he
said.

"Working with someone like Mr. Chiti is a once-in-a-lifetime chance. People pay thousands of dollars to train with someone like him, and we have him for free. He makes
everything seem so much easier. The stone just seems to melt when he works it."

Chiti, a former teacher, takes his time with each student to make sure they stay on track. At one point, he demonstrated to Jeanene Motley how not to cut too deeply into
the rose relief she'd chosen for her project. He showed her the difference between cutting with a chisel and the smoother results achieved with an electric drill.

With language a more than occasional impediment (Chiti is conversant in English but relies on a volunteer interpreter, Flora Calabrese, for more technical matters) Chiti is
nevertheless able to convey how art becomes its own language and can communicate without words.

This initial program calls for Chiti to spend six weeks in Delaware, working with more than 180 students and teachers from Appoquinimink and Middletown high schools,
as well as Meredith. The students' creations will be displayed along with Chiti's works at Dover's Biggs Museum beginning April 4.

In addition to the support of the Biggs, Petrella said the city of Volterra underwrote the costs of shipping Chiti's stoneworking tools and additional pieces of art here. The
school district is providing a stipend and living expenses for Chiti during his stay. Some of those expenses are reduced by the volunteer families who will receive Chiti as their guest. Chiti's first hosts, Howard and Kathleen Otinsky of Middletown, looked forward to the personal exposure to another culture. It's a mutual exchange.

"We've taken Roberto to Washington, D.C., and to local malls and out to dinner," said Kathleen. "He's had meatloaf and an authentic Thanksgiving celebration while he's
been with us, too."
 
Joe and Dodie Di Giacintos, are planning a trip to New York, as well as hosting an Italian dessert party for Chiti during his stay with them. The family has hosted student
exchanges in the past and are looking forward to this one.

"We're Italian, and my wife is a pretty good cook, so I expect we'll be serving some Italian dishes while he's with us," Joe Di Giacinto predicted.

Appoquinimink art instructor Andrea Keim said the program goes beyond hands-on projects in the school's makeshift studio (custodians had to improvise space to provide
for adequate dust control, among other issues).

"Student lesson plans will include discussions of the Volterra region, the history of alabaster carvings and its link to ancient Etruscan history," she explained. "Roberto
also brought a PowerPoint presentation."

Given the difficulty of working in stone, as well the use of various tools and machinery, safety is part of the instruction. For one thing, breathing masks are worn to prevent
inhaling dust.

For another: "Roberto has taught the students to always cut away from the body," Keim added.

Pictured above:
Chiti demonstrates to Brian Almarez (standing), Hilary Wilkins and Miller (seated) and Stilwell why the light refraction and color variations of alabaster make
it attractive to sculptors. Carving in alabaster is an ancient Etruscan art form.
Photographer: Eric Crossan

If You'd like to go:
"The Sculpture of Light: Volterra, Italy, in Delaware" runs April 4 through July 21 at the Biggs Museum of American Art in Dover. It showcases works by Appoquinimink artist in residence Roberto Chiti, items by students from the district and historic sculpture from Italy. Details: www.biggsmuseum.org.

Article reprinted courtesy of The News Journal

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